Good to eat, good to mean: this is the paradigm of the extreme radicality of bread. Humble and polysemous mixture of the elements (earth, air, water, and fire), consubstantial with man: it is not only man who makes bread, but it is also bread that makes man. In the sacred act of eating, it is through bread that we appropriate meanings, and the body of the symbol becomes a body of flesh.
Bread preparation techniques have been handed down from generation to generation, from mother to daughter for centuries. A secret cultivated in the quiet of circular time. A ritual that involves precise times and gestures, the wisdom of doing, acts and signs, and particular physical conditions. Just like magical words and spells, the ritual is kept secret and shared only orally. The sacred act of eating is therefore prefigured by the magical act of preparation, in a complex consumption ritual that has variations throughout the peninsula.
Specific objects are needed to perform the ritual. Atanor pays homage to the Italian tradition, emphasizing and amplifying the performative and ritual aspects linked to the preparation of bread, and to the phase of refreshing the mother yeast, a living matrix and object of care.